Holly Hipwell
Founder
Creative Director
Holly is happiest when she has a big idea to untangle and a plan
to bring to life. She is particularly proud of her role managing
the logistics behind the global Miu Miu Summer Reads campaign.
Her love of theatre began with childhood trips to the West End
and grew into a belief that stories can help us understand lives
beyond our own. She soon realised the puzzle behind the scenes
suited her best. For Holly, there
is nothing better than taking a messy, ambitious idea and
figuring out how all the moving parts fit together to build the
bigger picture.
Beyond her laptop, Holly enjoys debating other dog parents as to
why Luna is far superior, hunting for the next fantasy novel
with a steamy cup of coffee and sweet talking Claude (the AI)
into doing her bidding.
Eleanor Wilson
Founder
Creative Director
Eleanor describes herself as a scribbler, a sorter and a show
tune lover.
After graduating from the Guildford School of Acting with a BA
in Theatre Production, specialising in Stage Management, she
went on to work as an assistant at several leading talent
agencies, which she still does and thoroughly enjoys.
She credits her background in stage management with making her
an expert wrangler of information, actors and creatives alike,
while also fostering an addiction to beautifully organised
spreadsheets and even prettier stationery.
Away from the theatre, she's most likely rifling through charity
bookshops, drinking Diet Coke... and, let's be honest, thinking
about theatre.
Annabel Caldwell
Founder
Creative Associate
Before co-founding Boudicca Productions, Annabel graduated with
a BA in Theology and Performing Arts in 2024, gaining experience
across acting, directing, writing and production. She later
completed the Mercury Theatre's Directors' Course, further
refining her directing practice and creative leadership.
Since graduating, Annabel has worked across a range of
professional and amateur productions as an assistant director,
stage manager, performer and co-director. She is passionate about
championing new writing, reimagining classic texts and creating
rehearsal rooms where creativity and collaboration can flourish.
Outside the rehearsal room, Annabel can usually be found serving
pints at work, adding an unruly number of books to her ever-growing
"to be read" pile, or convincing herself that buying just one more
Sanrio blind box is a perfectly sensible investment.
